Mustafa Lamaj

A few words about...

I was born under the rule of the most despotic and grotesque Communist regime Eastern Europe ever produced. A place where the state decided what was art, where it could be exhibited and how an individual expressed one's self. After fleeing my native home in Albania for both the personal and artistic freedoms afforded by Italy in 1991, I worked as a freelance artist until reaching American shores in 1998. Arriving, I started exploring my paintings further than before finding new themes in my art reflective of the political and artistic dichotomy that endured throughout my life. My creative process goes through intuitive responses that evolve from the act of doing, not planning, while engaged with the work. The process is completely organic and spontaneous. What emerges on the canvas is an internal language that is highly emotional and personal, yet universal. Even though I start out in the traditional way I intend to extend my vocabulary of forms searching for structure, space, color relationship, surface tension and mood. I use a palette that is more widely ranging and subtle in a very painterly tradition, painting wet on wet or scraping it away. It isn't always pleasant and many days of work get painted over but the work underneath is fundamental and vital until the finished piece obtains its own integrity and intensity.

“The gritty streets of Philadelphia provide him with ideal material for his sense of composition and light” - LR
“Puna ime eshte nje lloj trajektoreje e pa planifikuar brenda vazhdimesise se saj”- ML
“ ...sometimes it takes an outsider’s eye to remind us of the inherent beauty of the cities” - JE
“reminishencat e se shkuares jane gjithmon aty ne linjen, ngjyren, kompozimin etj, do te thosha jane ne maje te penelit"- ML
"I fell out of the light when I lived in a dark era, but now that I’ve found it, I’m painting it again"- ML
“Nje veper arti shpesh tenton jashte caqeve formale, here here edhe jashte eksperiences se vete artistit dhe mendoj se ne vetem e violentojme ate duke e future ne ate structure” - ML
“The gritty streets of Philadelphia provide him with ideal material for his sense of composition and light” - LR
“I fell out of the light when I lived in a dark era, but now that I’ve found it, I’m painting it again.” - ML
“ ...sometimes it takes an outsider’s eye to remind us of the inherent beauty of the cities” - JE
“Metropolitan Museum of Art, New York | Michelangelo Exhibit”- ML